Wednesday, November 25, 2009
No carbon, but still potatoes...
Tuesday, November 17, 2009
Dufaycolor
The last significant additive screen process to be introduced was a modification of the original Dufay dioptichrome process from before WWI. First released as a motion picture film in 1932, it was introduced for still photography in 1935 in roll, sheet, and film pack forms. A very fine screen structure, increased sensitivity, and simple reversal processing kept it in use into the 1950s for still photography.
Its use in motion pictures was short lived, though long enough to produce a number of feature-length films in the 1930s. Although not present on this sample from the Eastman House Film Technology Collection, a variable density soundtrack could be printed successfully into the image area.
Monday, November 2, 2009
Alticolor, the Autochrome of the 1950s
Thanks to a tip from Autochrome collector Mark Jacobs, I have just acquired my first roll of Alticolor film, actually an entire brick. Alticolor was introduced in 1952 by Lumiere, and was discontinued about 1955 (the expiration date on these rolls being July 1956). It was the final roll film version of the additive screen plate process originally introduced as glass plates in 1907 under the Autochrome name. In the early 1930s the first plastic support versions of the Autochrome were introduced under the names Lumicolor (cut sheet film) and Filmcolor (roll film). And finally the new and improved Filmcolor-Ultra-Rapid and Alticolor were introduced in the 1950s.
While all the Autochrome (and Filmcolor, etc...) that I've looked at with a microscope used potato starch grains and carbon black, there is a rumor going around that there was a change to yeast grains at some point, and that carbon black stopped being used to filled the interstices between the grains. So this very late-manufacture Alticolor film is a test of that rumor. I'll report back once I have examined this film with a compound light microscope.
I particularly like the cloth mailing bag that comes with every roll, addressed to the Lumiere processing center in Lyon. And the roll comes in a cute little aluminum capsule. And maybe the film can still be exposed and developed....but that's for another day.
While all the Autochrome (and Filmcolor, etc...) that I've looked at with a microscope used potato starch grains and carbon black, there is a rumor going around that there was a change to yeast grains at some point, and that carbon black stopped being used to filled the interstices between the grains. So this very late-manufacture Alticolor film is a test of that rumor. I'll report back once I have examined this film with a compound light microscope.
I particularly like the cloth mailing bag that comes with every roll, addressed to the Lumiere processing center in Lyon. And the roll comes in a cute little aluminum capsule. And maybe the film can still be exposed and developed....but that's for another day.
Subscribe to:
Posts (Atom)